Mulieres crocos decerpentes (pictura muralis Acroterii)
Appearance
Croci deae oblati et mulieres crocos decerpentes sunt picturae murales in membro 3 xestae 3 repertae urbis Minoae Acroterii ab eruptione vulcanica Theraea, quae fortasse anno 1628 vel 1627 a.C.n. acciderit, abscondita. In picturis aliorum membrorum eiusdem domús videntur puellae mulieresque progredientes et adorantes.
Bibliographia
[recensere | fontem recensere]- Suzanne Amigues, "Le crocus et le safran sur une fresque de Théra" in Revue Archéologique n.s. (1988) pp. 227-242
- Nanno Marinatos, "An Offering of Saffron to the Minoan Goddess of Nature" in T. Linders, G. C. Nordquist, edd., Gifts to the Gods (Uppsalae, 1985) pp. 123-132
- Paul Rehak, "Crocus Costumes in Aegean Art" in ΧΑΡΙΣ: Essays in Honor of Sara A. Immerwahr (Princetoniae, 2004. Hesperia: supplement, 33) pp. 85-100
- Paul Rehak, "The Monkey Frieze from Xeste 3, Room 4: reconstruction and interpretation" in P. P. Betancourt et al., edd., Meletemata: studies in Aegean prehistory presented to Malcolm H. Wiener as he enters his 65th year (Leodii, 1999. Aegaeum, vol. 20) pp. 705-709
- Paul Rehak, "Imag<in>ing a Woman's World in Bronze Age Greece: the frescoes from Xeste 3 at Akrotiri" in N. S. Rabinowitz, L. Auanfer, edd., Among women: from the homosocial to the homoerotic in the ancient world (Austin Texiae, 2002) pp. 34-59
- Iris Tzachili, "Anthodokoi talaroi: the baskets of the crocus-gatherers from Xesté 3, Akrotiri, Thera" in Aegean Wall Painting: a tribute to Mark Cameron (Londinii, 2005. British School at Athens Studies, vol. 13) pp. 113-117